- ADOBE AUDITION REVERB PRESETS MANUAL
- ADOBE AUDITION REVERB PRESETS FULL
- ADOBE AUDITION REVERB PRESETS SOFTWARE
- ADOBE AUDITION REVERB PRESETS SERIES
Unlike other filter types where the gain of selected frequencies is altered, with an All-pass Filter the gain remains unchanged throughout the signal. It enables the user to apply a phase shift (sometimes called a phase offset) at a specified frequency within a signal.
ADOBE AUDITION REVERB PRESETS MANUAL
X-Phase is an All-pass Filter plug-in that offers the user manual control and high quality response. Intuitive tool for correcting awkward phase issues. X-Phase - Frequency specific phase control X-ValveComp can be automated via standard DAW Automation data and has A&B Preset 'slots' with an A/B switch for easy comparison of two different combinations of settings. A Side Chain input high and low pass filters can be used to trigger compression. A dedicated wet/dry mix control facilitates parallel compression. There's a Gain Make Up control and switched Auto Gain Make Up mode. There are Input and Output Meters with separate kick down compression amount indication and Input and Output Level controls.
ADOBE AUDITION REVERB PRESETS FULL
The compressor can be switched between Peak or RMS modes and has a full set of standard controls including Threshold, Ratio, Knee, Attack, Release and Hold. The valve emulation stage sits after the compressor in the signal path and adds a variable degree of primarily 2nd order harmonic saturation and distortion that thickens and colours the sound. X-ValveComp is a fully-featured mono or stereo channel compressor with a full set of classic channel compressor controls and an added 'valve' emulation stage. The fully featured channel compressor with added grit. X-ValveComp - Saturating valve style compression the SSL way X-Saturator can be automated via standard DAW Automation data and has A&B Preset 'slots' with an A/B switch for easy comparison of two different combinations of settings.
There are Input and Output Meters and Input and Output Level controls. A dedicated wet/dry mix control facilitates parallel processing. A Headroom button provides an additional 6dB of headroom for creating heavily boosted/distorted signals without digital clipping. The controls are simple: a Harmonics control selects 2nd or 3rd order distortion or a blend of the two, a Drive control sets the drive level, a Depth control the amplitude of the distortion and a Shape control adjusts whether the distortion has smooth or hard edges. As drive levels are increased so too is the level of distortion until at high drive levels heavy distortion occurs. At low drive settings the distortion is mild and can add gentle warming to help instruments sit nicely in a mix or to add a little extra edge to help instruments cut through a mix. It is an emulation of an analogue circuit that introduces either 2nd order valve style or 3rd order transistor style distortion or a blend of the two. X-Saturator delivers a stunning range of analogue style distortion effects. X-Saturator - Versatile analogue distortion circuit emulationĪnalogue style edge for your digital recordings. The addition of the side-chain high-pass filter allows for reduction of the amount of low frequencies in the audio that is triggering the compressor so reduces unwanted pumping effects. The Dry/Wet mix control blends between compressed and uncompressed signal, allowing quick and easy parallel compression without using additional busses.
ADOBE AUDITION REVERB PRESETS SOFTWARE
The Dec 2018 SSL Native v6.2 software release adds two new features to the SSL Native Bus Compressor a Dry/Wet mix control and side-chain High-Pass Filter. "Sticks your mix like audio glue." - That's how we often hear the SSL Stereo Bus Compressor described, along with - "You strap it across your mix - and it sounds like a record." We could wax lyrical about the technology - but hey, you already know how great this thing sounds - you've heard it on countless hit records from the last three decades. It brings cohesion and strength to your mix without compromising clarity. It is a simple unit with a simple purpose it makes complete mixes sound bigger, with more power, punch and drive. It is the secret behind countless classic recordings.
ADOBE AUDITION REVERB PRESETS SERIES
The centre section compressor from SSL’s 1980’s G Series analogue console is an audio production legend. The sound of the legendary SSL Stereo Bus Compressor. Bus Compressor - Classic Analogue, now Digital
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